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The man can no longer help her: she is in the hands of the medical people, at the mercy of technicians, bureaucrats, scientists-people in white coats and suits and ties. But once the young woman is physically destroyed, all this is over.
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As a mentor, he seems to Dupris overly-protective, but obviously Dupris turns out to be wrong: Dunn found exactly the right timing for Maggie’s climb to the top of the game.Īnd fatherhood is, simply put, the art of finding the balance-and the right timing-between protectiveness and risk-encouraging. Up to this point, his fatherhood and his mentorship have been more or less congruent. Near the apex of her seemingly inevitable rise to the top, Maggie is suddenly, devastatingly injured - in an instant transformed from a vibrant and beautiful athlete to a quadriplegic victim.ĭunn is likewise changed in that moment.
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This is the point you shouldn’t read on if you wish to watch the movie without knowledge of an important plot twist. Her body shows the grace and the hardness of a middleweight boxer, and the fight scenes have an authenticity of real danger and gutsy thrill.Įastwood himself contributes a balanced, witty performance as the reluctant trainer, Frankie Dunn, and the third actor in the ensemble, Morgan Freeman, once again embodies the kind of deep intelligence traditionally called wisdom as the washed-up partner, Eddie Dupris. The female protagonist is Maggie Fitzgerald, a neophyte from the rural Midwest who has come to Eastwood’s California gym with raw talent and a last-chance dream. But the film also works on a deeper, theological level, through its art asking ancient questions about God’s goodness and human suffering. And he contends the attack on him by the disability group is a cheap shot: “I’ve put my money where my mouth is with the disabled, so I don’t feel like I have to apologize for that,” he said.Million Dollar Baby is a tale of mentorship in the new world of women’s boxing. “Our responsibility is to the half-million people with spinal cord injuries, not to moviegoers or moviemakers,” Roth said.įor his part, Eastwood said he has no vendetta against disabled people, adding that he has contributed time and money to their cause. The press release goes on to divulge the movie’s plot. A press release on its website carries the headline, “Eastwood Continues Disability Vendetta with ‘Million Dollar Baby.’ ” Labeling the movie a “brilliantly executed attack,” it also details a 1997 lawsuit in which a disabled woman sued the actor-director, saying he did not provide handicapped-accessible restroom facilities at the Carmel, Calif., resort he owned. The group contends that the movie is part of a larger bias Eastwood holds against the disabled. “The movie is saying ‘death is better than disability,’ ” she said.
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Although the film has been marketed by its distributor, Warner Bros., as a kind of girl-power version of “Rocky,” the tone of “Baby” changes when catastrophe strikes and characters are forced to make life-and-death decisions.Īccording to Marcie Roth, executive director of the National Spinal Cord Injury Assn., a national advocacy group with 13,000 members, this narrative development spreads a socially irresponsible message. The film revolves around an up-and-coming boxer, Maggie, played by Swank, and her relationship with her seen-it-all manager, Frankie, played by Eastwood. If you don’t want to know what happens, read no further. Readers wishing to see “Million Dollar Baby” without prior knowledge of its conclusion are hereby advised of a spoiler alert. Movie reviews and stories have honored that, largely keeping mum about the movie’s conclusion.īut moving into the final weeks of Oscar season, the film - which has received seven nominations, including best picture best actress, for its star Hilary Swank and best director and best actor for Eastwood - has come under fire from critics attempting to polarize public opinion around a hot-button political issue addressed in the film. The plot twist that occurs about two-thirds of the way through Clint Eastwood’s boxing drama “Million Dollar Baby” hits moviegoers with the unexpected force of a stiff uppercut.